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My Husband Left Me for His Sick Mistress Novel Cover

My Husband Left Me for His Sick Mistress

After three years of a cold marriage, my billionaire husband demanded a divorce to care for his dying first love. He abandoned our life together, prioritizing his mistress's final days over our vows. Left devastated by his betrayal, I finally chose to walk away and reclaim my dignity. However, as I began to move on and find my own strength, he suddenly returned to my life, begging for a second chance. Now, I must decide if some broken hearts are meant to stay shattered.
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Chapter 3

The text came on a Wednesday night, just after ten.

I was in bed with a book I hadn't been reading, my thumb moving the same paragraph for the third time, when my phone lit up with a number I didn't recognize. I opened it without thinking.

*I hope you're doing well, truly. Dutton worries about you. He says you were always so quiet — he never knew what you were thinking. I suppose that must have been lonely for both of you.*

I read it once. Then again.

The prose style was careful. Soft. The kind of soft that has edges underneath it, the way a towel wrapped around a fist is still a fist. *Truly.* That word doing a lot of work. *Lonely for both of you* — as though she were offering me something. As though she were the generous one.

I set the phone face-down on the mattress and looked at the ceiling.

She had his phone. Or she had been near it. I thought about the kitchen counter in the penthouse, the way Dutton always left his phone charging by the espresso machine when he showered. Two years of watching that habit. She would have learned it in a week.

I picked the phone back up. Deleted the thread. Blocked the number.

Then I lay back and pressed my thumb to the inside of my wrist and listened to the building settle around me and did not think about Arabella Watson sitting in my kitchen, learning my husband's habits, deciding I was worth a text.

I did not tell Savannah. Not yet.

***

I found out about the 2 AM call the way I found out about most things that happened in that penthouse after I left — sideways, through the particular silence of someone who knows something and is deciding whether to say it.

In this case it was Savannah, who had a contact at the Kelly Group's PR firm, who had a contact in the building's night concierge staff, who mentioned it the way people mention things they know they shouldn't know.

Arabella had called Dutton at two in the morning. Her voice barely above a whisper. She had taken too many of her anxiety pills, she said. She wasn't sure how many.

He had gone to the guest suite and found her on the bathroom floor. The prescription bottle beside her, half-empty. Her eyes glassy. He had held her until dawn.

I was standing at my kitchen window with my coffee when Savannah told me this. The brick wall outside was doing what it always did — sitting there, patient, indifferent. I watched a pigeon land on the ledge and immediately leave.

'The pills were melatonin,' Savannah said. Her voice had gone very flat, the way it does when she is furious and choosing precision over volume. 'Someone in the building talked. Apparently she had a prescription bottle she'd refilled with melatonin. He never asked for a tox screen.'

I took a sip of my coffee.

'Raya.'

'I heard you.'

'She staged it. She sat on that bathroom floor with a bottle of sleep supplements and waited for him to come hold her until sunrise, and he did, and he will keep doing it, because he does not want to know the truth badly enough to look for it.'

The pigeon came back. Landed in the same spot. Left again.

'I know,' I said.

Savannah was quiet for a moment. I could hear her breathing, the particular rhythm of someone holding something back.

'Are you angry?' she finally asked.

I thought about it honestly. I stood at my window and I thought about Dutton on the bathroom floor of the guest suite, holding a woman who had swallowed melatonin and called it a crisis, and I waited to feel something sharp.

What I felt instead was tired. And underneath the tired, something quieter. Something that felt almost like pity — not for Arabella, not for Dutton, but for the version of myself that had spent two years in that penthouse believing the hollow thing we had built was worth filling.

'No,' I said. 'Not anymore.'

***

The twelve-week appointment was on a Thursday morning. Savannah drove. She had insisted on driving since the first appointment, in the particular way she insists on things — not loudly, just completely, so that the alternative stops feeling like an option.

Mount Sinai's OB waiting room smelled like recycled air and hand sanitizer. The chairs were the padded kind that are trying to be comfortable and aren't quite. I filled out the intake form with my new address — the Brooklyn apartment, the creaking floor, the brick wall — and felt something settle in my chest when I wrote it. Mine.

Savannah sat beside me with her phone and her coffee and her running commentary on the waiting room's art choices, which she found personally offensive. I half-listened. The other half of me was doing the quiet arithmetic I had been doing for weeks — twelve weeks, which meant the baby was the size of a lime now, which meant I had approximately six months to figure out the rest of my life.

I was thinking about North Carolina when Savannah went quiet.

Not the gradual quiet of someone distracted. The sudden kind. The kind that has a shape.

I looked up.

She was looking across the lobby. Her coffee cup had stopped halfway to her mouth.

I followed her line of sight.

They were near the elevators. Arabella Watson, in a cream coat, her dark hair loose, her shoulders curved inward in that particular way — smaller than she was, always smaller than she was. And beside her, one hand at the small of her back, Dutton.

He was looking down at her. Not at the elevator panel, not at his phone. At her. The way you look at something you are afraid might break.

I watched for three seconds. Maybe four.

Then I looked back down at my intake form and wrote my emergency contact — Savannah Hunter — in the last blank field.

Savannah said nothing until we were in the car. The appointment had gone well. The heartbeat was strong. Dr. Voss had printed a new ultrasound image, clearer than the last, and I had folded it into my wallet without looking at it too long.

Savannah pulled out of the parking structure and onto Madison and drove two full blocks before she said: 'I saw them.'

'I know.'

'Raya —'

'I know, Savannah.'

She stopped at a red light. Her hands were tight on the wheel. I watched her jaw work through whatever she was deciding not to say first.

'She had her head on his shoulder,' Savannah said. 'In the lobby of the hospital where you just had your prenatal appointment. She had her head on his shoulder like she was the one who needed —' She stopped. Pressed her lips together. 'I'm sorry. I just —'

'It doesn't matter anymore,' I said.

The light changed. Savannah drove.

I laid my hand flat on my stomach, under my coat where she couldn't see, and felt the city move around us — the horns, the crosswalk signals, the particular indifferent noise of a place that doesn't know you and doesn't need to.

It doesn't matter anymore.

I said it again, quietly, inside where it counted.

I was still deciding if it was true.

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