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The Pawn Who Became The Queen Novel Cover

The Pawn Who Became The Queen

I returned to New York after four years in Paris, aiming for nothing more than my grandmother’s trust fund and the seventeen percent stake that was rightfully mine. But the moment I stepped out of JFK, I was treated like a piece of luggage, intercepted by Jered Knox—the man I was forced to marry to secure a corporate merger I never asked for. He didn't even look at me, instead flaunting his mistress right in my face, forcing me into the back of his neon yellow Porsche while cameras swarmed to capture the "happy couple." Then, the real nightmare began: he tossed a prenuptial agreement over his shoulder like trash, offering me a measly sum to sign away my rights and disappear, while his family and my own stepmother whispered about how plain and ungrateful I was. I watched as they treated my life, my inheritance, and my future as nothing more than a prop for their power games, never once considering that I might actually fight back. They think I’m the same girl they sent away years ago, a pawn to be traded and forgotten, but they have no idea what I’ve become or who I’m really working for. I didn't come back to be a victim in their grotesque comedy; I walked into the Imperium Group offices this morning, ready to take the design director position that will turn their entire world upside down.
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Chapter 9

Imperium Design occupied the top three floors of a building on West 57th, its windows framing Central Park like a painting that changed with the seasons. Keira arrived at 8:30, early enough to observe, late enough to seem confident.

Arthur met her in the lobby, full of welcomes and orientation packets. He led her through security, through the elevator bank, into a world of glass and steel and the particular hush of creative spaces.

"Design department," he announced, pushing through double doors. "Your new kingdom."

It wasn't a kingdom. It was a battlefield. Keira felt it immediately-the pause in conversations, the sideways glances, the temperature drop as thirty people assessed the threat she represented.

She moved through it anyway. Arthur introduced her to faces she wouldn't remember, names that blurred together, until they reached the corner office where a woman waited with her arms crossed.

"Amelia Petty," Arthur said. "Our deputy director. Amelia, this is Keira Gibson, your new-"

"I know who she is." Amelia didn't extend her hand. She was fortyish, impeccably dressed, with the kind of face that had been beautiful once and had since been hardened into something more useful. "Welcome to Imperium, Miss Gibson. We're swamped, as I'm sure Arthur mentioned, so I hope you won't need too much hand-holding."

The words were welcome. The delivery was warning.

"I'll manage," Keira said.

"I'm sure you will." Amelia's smile didn't reach her eyes. "All project files are in the system. You'll find everything there." She turned, already dismissing them. "I have a meeting. Excuse me."

She walked away. Arthur's face had gone red.

"Keira, I apologize. Amelia was-she expected to be promoted. When Mr. Hayden insisted on an external search, she took it personally."

"She's the board member's niece," Keira said. Not a question.

Arthur's silence confirmed it.

"Show me my office," Keira said.

They walked to the corner suite, the one with the park view and the director's nameplate. Or rather, they walked to where it should have been. The door now read STORAGE. Inside, boxes of paper and obsolete equipment filled the space.

Arthur stared. "This-this is impossible. I approved the office myself."

"Where's the director's office now?"

Arthur led her ten feet down the hall, to a closet. Literally a closet, former supply space, barely large enough for a desk and chair. A folding table had been installed. A folding chair waited before it.

"Amelia's 'emergency project,'" Keira said.

"She can't-this is-" Arthur was reaching for his phone.

"Don't." Keira touched his arm. "It doesn't matter."

"It matters! This is your position, your-"

"It's a room." Keira walked into the closet. She set her bag on the folding table. She opened her laptop and plugged it in. "I need project files, Arthur. All active contracts. Personnel records for the design team. Vendor lists. By end of day."

He stared at her. "You're not going to-"

"Fight for a room?" Keira smiled. "I have better uses for my energy."

She sat in the folding chair. It creaked, but held. She opened her email and began to work, her back to the open door, to the curious faces passing in the hall, to the whispered speculation she could feel like weather.

At 10:30, she emerged for coffee. The design floor had settled into its rhythms, the morning crisis passed, the afternoon deadline not yet pressing. She walked to the break room, aware of the silence that followed her, the eyes that found reasons to look away.

A young man stood before the printer, panic rising off him like steam. Paper jam. The red light blinked. A senior designer-she recognized him from Arthur's introductions, Marcus something-stood over him, voice low and vicious.

"-useless, absolutely useless, can't even-"

Keira stepped in. She opened the cartridge door, found the crumpled sheet, pulled it free with a single smooth motion. The machine hummed back to life.

"Check paper weight settings," she said to the young man. He couldn't be more than twenty-two, intern probably, drowning in an ocean he hadn't expected. "Standard load for twenty-pound bond. Heavyweight for anything else."

"Thank you," he whispered. "Thank you, I-"

"You're welcome." She moved to the coffee machine, filled her cup, and returned to her closet without looking at Marcus.

She didn't need to look. She felt his embarrassment, his resentment, his sudden uncertainty. She had made an ally, however small. She had made an enemy, however careless.

The game had begun.

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